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Eric’s Guide Through the ‘Poltergeist’ Series

Wwwweee’rrreee hhheeerrreee to look back at the “Poltergeist” series.

“Poltergeist” is a classic and considered one of those essential horror series, despite the fact none of the sequels are considered very good. Is that warranted? Are there any gems hidden in this franchise? Probably not, but it should still be fun to look them over.

*Minor Spoiler Warning.*

1.) Poltergeist

The story is about a family living in a newly built neighborhood as they begin to notice strange occurrences around the house. They seem to mostly revolve around the TV and youngest daughter Carol Anne (played by Heather O’ Rourke). When Carol Anne is taken by the poltergeists into their realm it’s up to the parents to find a way to bring her back with the help of a mysterious psychic Tangina. “Poltergeist” is wonderful and absolutely worth your time. I call it a perfect beginner’s gateway into horror. It’s not gory or very adult in its themes yet has a really good balance of scares that will leave an impact, but nothing too scary for the younger viewers. Although I will say I watched this movie late one night (I had seen it before a few times) with the lights off and I have to say it left me feeling kinda creeped out. Not many films can still do that on repeat viewings.

Inspired by a classic “Twilight Zone” episode: “Little Girl Lost” Steven Spielberg produced this with Tobe Hooper (“Texas Chainsaw Massacre”) directing. There’s a lot of controversy surrounding this as actors and crew have offered different accounts of who really directed this film. I don’t pretend to know the true answer, but I will say as a viewer it sure does look and feel more like a Spielberg movie. Just everything about it, from the acting, lighting, themes to the style of the camera shots FEEL very Spielberg like. It could be he secretly directed it to get around certain contract issues at the time or it could have been Tobe Hooper trying to make it like the producer’s own style. Ultimately it doesn’t matter as it is a great film. It was conceived to be the sister film to “E.T.” and I must say it does feel like this family could run into Elliot and his family in the same neighborhood.

I’ll tell you what I think are the best parts of the film more than the scares it’s when the characters are discussing the ideas of this other realm. There’s just something about it (I love stories about alternate dimensions) and the music that just gives a real sense of how big this all is. There are so many memorable lines, scenes, scares it would be impossible to talk about them all. I’ll mention one though, the pool scene. There’s a part where the mother falls into the pool and is surrounded by decaying corpses. Now, according to the movie trivia they were real skeletons because it’s easier and cheaper to get them than to create props. Some question this story and exactly how many were real and what not, but either way it gave rise to this film’s biggest legacy outside the film itself with the Poltergeist Curse. Basically every accident onset or untimely death of an actor or crew member connected with the film is seen to be a part of it. I personally don’t believe in that kind of stuff, but concede there are a lot of sad stuff that happened with these films.

Eric’s opinion: See it and learn where a ton of references come from.

2.) Poltergeist II: The Other Side

I never really heard anyone talk about this film before. Other than to mention that H. R. Giger (designer of the Xenomorph in “Alien”) did some of the designs of the poltergeists. However, most of his designs ended up not being used. So that’s the knowledge I went into the film with. It’s one of those films with a lot of cool ideas and concepts and it probably is what makes me look back on the film more fondly. Despite all of that though the film is kinda dull. In between all the cool ideas and moments the film just kinda drags. The scares aren’t as memorable, but it has a few like the possessed braces scene and of course the puke ghost. Which is the most obviously Giger looking design. It’s in this film that we learn the true origin of the poltergeists. It’s not the haunted Native American burial ground, it’s a cult leader Kane and all the people who died with him on the site. I will say the actor who plays Kane is one of the creepiest supernatural villains ever. Sadly he died shortly after filming. A lot of the film has interesting themes like family and even explores good ghosts as a counter to all the darkness we normally see. One part I really liked early in the film was when the parents are going over their finances. They acknowledge how screwed they are as the banks obviously won’t accept that their house folded in on itself into the ghost realm. Just that kind of reality is really great in these kinds of sequels.

Other than that the ending really succumbs to the last film’s problems of too much special effects. While the first film had great characters and a story to ground the visual effects this does not. After a while you can’t help but really notice how you’re just watching a bunch of actors on strings in front of a blue screen as the effects people go nuts with the visuals. Again, the grandmother becoming a guardian angel to them is an interesting concept, but the ending just goes so overboard with the effects it undoes that a bit. It’s great to see the characters back, but there’s one glaring omission. The teenage daughter is nowhere to be seen. It is said in the original script there was a line about her being away in college and I’m not sure why it was deleted. The real reason for her absence is a sad one. Dominique Dunne was murdered by her ex-boyfriend. So rather than recast they sent the character off to college. I don’t have an issue with that it seems like a reasonable explanation and way to handle the tragedy. Maybe they took it out because the main theme of the film is about family and drawing strength from each other. Thus, having that line would make people wonder how come the other daughter wasn’t there. Either way it was probably the best option of a bad situation.

R.I.P Dominique Dunne.

Eric’s opinion: Only if you’re interested in learning some more, but not necessary.

Click to see the last 2 entries!

3.) Poltergeist III

My first exposure to this film was the review of it by Siskel and Ebert. Needless to say they didn’t like it, but it was also one of their funniest reviews. Check it out if you can. This film is the poster child for the WE’VE RUN OUT OF IDEAS film in a series. Also, I feel I must emphasis that mirrors AREN’T scary. This freaking film has ONE trick and it proceeds to do that ONE trick again and again. Someone’s walking past a mirror, there’s something creepy in the reflection (typically Kane), the person walks out of the room, in the mirror the creepy thing turns to stare at them as they leave while this TV quality sounding score plays. If what I described to you sounds like something that would scare you… multiple times then maybe you’d like the film. But for me it was just repetitive and got worse each time they were under the impression they could scare us with the exact same trick.

Speaking of repetitive, you will learn to hate the name Carol Anne. CAROL ANNE! CAROL ANNE! CAROL ANNE! CAROL ANNE! CAROL ANNE! CAROL ANNE! Was that a bit much in written form? Then you’re going to love hearing it in that actual film to the point your ears start bleeding. Maybe the writer of this was like Jack Nicholson from “The Shining” and went crazy trying to write the screenplay and all he turned in for a 1st draft was a script full of Carol Anne over and over and they didn’t realize that this was clearly the work of a madman and just kept it for the dialog during the rest of the drafts. TLDR version: The characters all yell Carol Anne A LOT in this damn movie. So what’s the story this time? Carol Anne is sent away to live with her aunt and uncle in their nice upscale apartment STOP! Do you already see the problem here? Her family sent her away. Really?! After all they went through in TWO movies to save her? After the last 2 films hammered into our brains over and over how important the bond of family is, they’re just going to send her away? Aside from the major problems in theme, tone, story and CAROLE ANNE! the film doesn’t even have any memorable scares. Yeah the last film was pretty boring, but it had a few that stuck in my brain. Here, there’s nothing other than the mirror trick, but I refuse to refer to that as a scare for the reasons I explained earlier.

So does the film have anything good? Well the cast is mostly good. The characters aren’t great, but the actors do as good of a job as they can with what they have. We even have a few returning such as Zelda Rubinstein as Tangina. Although, her role seems like it was added in at the last minute to add at least one more familiar face. Lastly, we have Heather O’Rourke back and she’s as delightful as ever. She’s older and even pulls off some more complex feelings of being abandoned by her family and being a pariah of this new family. The problem is again the constant yelling of her name and that’s because she’s lost for a majority of the film. And to get into why that is we need to discuss another real-life tragedy. Heather O’ Rourke was sick and the initial diagnosis was that it was Crohn’s disease. It was actually intestinal stenosis, a difficult condition to diagnose. Although it is something that IF caught early could have been fixed with a simple surgery. She ended up going into cardiac arrest and septic shock. She was only 12 years old when she died. The film is dedicated to her as a result. I’ll say this for it, the studio did alter their strategy for marketing the film specifically to NOT exploit her death. For that I do respect them despite my feelings of the film.

R.I.P. Heather O’Rourke.

Eric’s opinion: For God’s sake skip it!

4.) Poltergeist (2015)

Almost as soon as this film was announced everyone was ready to jump on it especially given how great the original is. However, it was being produced by Sam Raimi (“Evil Dead,” “Army of Darkness,” the good “Spider-Man” movies) who knows a thing or two about scares. I still wasn’t excited for the film, but MAYBE it could work. It came out and got pretty bad reviews so I didn’t even bother, but I finally did see it for free on TV AND… I CAN’T REMEMBER ONE GODDAMN THING ABOUT IT. I for better or worse watch all the films that I write about on FilmFad unless otherwise stated. So, I am being 100% honest when I say literally the moment I got done watching this (without any distractions) I forgot about the entire film. I couldn’t tell what changes or nods to the original there were. It’s like I somehow got film amnesia.

The only scene I can remember is when the psychic (who in this version is a TV show host) used to be married to one of the paranormal investigators (played by Mel from Frasier). The reason I remember that one scene was because it was the one time this film felt alive. The banter between the two and the way we learn about their being married in the past was well done and the actor’s chemistry between each other sold it. Other than that NOTHING! This remake was so forgettable other than one short conversation. That is just sad! Now this all leads to the question, which is worse this or “Poltergeist III?” Well it all comes down to where you land on the debate of bad movies. Is it worse for a film to be spectacularly bad (III) or just forgettably bad (remake)? I notice a lot of other critics are of the opinion that “hey at least the spectacularly bad left SOME kind of impression on me.” There are times I agree with that line of thinking, but most of the time and especially with this I feel the spectacularly bad is worse. It stays with you after you’ve seen it, taunting you with the memory of its badness. Especially in a case like this where the bad film even reminds you of some horrible real-life tragedies. If a film is forgettable, then that’s it. You move on and never have to worry about that dumb movie. And when you’ve seen as many films as I have and still plan on seeing many more that can be a blessing during your trek through film history.

Eric’s opinion: I guess see it if you’re curious, but I’m honestly not sure since I CAN’T REMEMBER A DAMN THING!

 

 

HAPPY HALLOWEEN EVERYONE! See you all next year!

What do you think? Which are your favorite ‘Poltergeist’ films?

Eric: Eric grew up with a simple childhood. At age 11 a six fingered man murdered his father in front of his eyes, while his mother died defending him from an attack from a sharptooth, then an evil toon dropped a piano from 15 stories onto his brother's head and then on top of all of that while on the job he was brutally shot up and left for dead but was rebuilt as a robotic cop to get his revenge. ...Oooorr maybe he just watched a lot of movies growing up and got really into them. From a young age Eric realized learning things like science, math, people's names etc. took some real effort but could easily remember practically all the dialog/plot details from a random movie he watched on tv years ago. He knew from a young age that he wanted to make movies and never strayed from that. Going to college to get an education in film production and working on movie sets whenever it can be fit into his schedule. Get him into a room full of people he doesn't know and over time you may eventually get him to open up but just mention some movies and he'll talk for hours, never afraid to (respectfully) argue with fellow movie nerds. Now he puts that love and energy toward writing for FilmFad.com.
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